Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for the whole run of the show.

Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for the whole run of the show. We film, cut, caption, post and reply live from the floor. Three-day activations run $4,500 to $12,000 depending on stations and output. Pricing is given on the first call.
Everything below is scoped, priced and owned by you. Nothing is a black box.
Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for the whole run of the show.…
This is for you if: You are exhibiting at NAMM, Expo West, MD&M West, Wonder. Con, IPC APEX EXPO or Space Tech Expo and the booth…
Deliverable What it is When you get it Pre-show shot list Every moment we capture, mapped to booth number, demo schedule and speaking slots 10–14 days…
The 20-minute fit call. Which show, which hall, booth size and number, stage or demo, who owns the accounts, who signs off. You get a price…
On-site activations start at $4,500 for a three-day show and run to $12,000 depending on stations covered and finished output per day. Ongoing retained engagements start…
Anaheim Convention Center is 1.8 million square feet, the largest on the West Coast. Halls A to E run 145,841, 147,335, 155,673, 221,284 and 143,474 square…
Southern California trade show labour has hard edges. An exhibitor may self-install or dismantle only when one full-time employee can do the work in an hour…
Publish latency. Capture to live post. Good is under 90 minutes during show hours. Bad is next morning, because by then the audience has left the…
An event activation is a build that produces two things a marketing team can actually use: qualified conversations on the floor, and footage you can still post six months later. The measure is captured leads per day and usable minutes per hour of shooting — booked, staffed, shot and delivered by one crew.
Sony FX3 and FX6, DJI gimbals, Mavic 3 drone where airspace allows, Rode and Sennheiser audio
ATEM Mini Extreme, vMix, bonded cellular uplink, YouTube and LinkedIn simulcast
LED walls, line array, wireless comms, show-caller run of show
Touchscreen kiosks, prize wheels, photo and video booths, racing rigs on direct-drive wheelbases
Tablet kiosk, QR to a booking page, badge scan export, same-day CRM push
Same-day vertical cutdowns, DaVinci Resolve and Premiere, delivery inside 24 hours
If it has an API we have probably already wired it. If it does not, we will tell you before you buy it.
Every scan and kiosk entry lands in your CRM tagged by event, station and rep before the show closes.
Kiosk + HubSpotVertical cutdowns posted the same day, while the audience is still in the building.
Resolve + schedulerEvery session recorded, captioned and cut into clips you can run as ads for the next twelve months.
Multi-cam + Frame.ioAttendees and no-shows split into two sequences automatically the morning after.
Eventbrite + KlaviyoA staffed interactive build for a three-day show typically runs $4,500 to $12,000 depending on how many stations you want, plus crew if you want content out of it. We quote itemised, never as one number.
Six to eight weeks for Pasadena, Anaheim and the LA Convention Center in peak season. Drayage and electrical deadlines are what actually bind, not our calendar.
We handle the plan and the paperwork and tell you exactly which line items the venue will force. We do not pretend union rules are optional.
Yes — fairgrounds, ranches, wineries and parking-lot builds. Power, weather cover and load-in access are the three things we scope first.
Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for…
See the page →Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for…
See the page →Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for…
See the page →Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for…
See the page →Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for…
See the page →Simulator bays sized to your booth footprint. Delivery, build, tech, staff and teardown. Highest-traffic booth on the floor, every time.
See the page →Putting greens, chipping nets, launch monitors and closest-to-pin. Smaller footprint, same crowd, faster load-in.
See the page →Full-motion racing rigs with branded liveries and a live leaderboard. Built for lines, dwell time and captured emails.
See the page →Booth crew shooting stills, reels and interviews all show. Same-day delivery, so you post during the show — not two…
See the page →On-site social managers at LACC, Anaheim and Long Beach. Shoot, cut, caption, post, engage — live, from the floor, all…
See the page →A crew that already knows the loading dock, the union rules, the power drops and the bad lighting in West…
See the page →LA Convention Center, Anaheim, Long Beach, Pasadena and Ventura County — what runs every year, roughly when, and how far…
See the page →What drives the number, what a booth activation actually costs, and why you will get the price on the first…
See the page →A booth designed around one question: what makes somebody stop walking? Then built so the thing that stops them also…
See the page →The largest exhibit hall on the West Coast, and the shows that fill it. Simulators, booth builds, camera crews and…
See the page →Impressions Expo, Long Beach Expo, the Grand Prix and the association circuit. Waterfront venue, tight load-in, easy for an LA…
See the page →Pasadena Convention Center, the Rose Bowl, Ventura County Fairgrounds and the wineries and ranches in between. Smaller rooms, higher-value rooms.
See the page →Every answer engine builds its index differently. We track them separately, because they behave separately.

Four algorithm eras. This is the fifth. We know which parts matter and which parts are noise, because we were here for the last four times everyone said search was dead.
We're not yes-people. We're going to do what's good for your brand.
Twenty minutes. What you are trying to hit, by when, what is in the way.
Read-only. Analytics, Search Console, the CMS. We look before we talk.
Where you appear today across every answer engine. Yours either way.
Written, itemised, assumptions listed so you can argue with them.
Within a week of signature. You own every account.
The short answer Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for the whole run of the show. We film, cut, caption, post and reply live from the floor. Three-day activations run $4,500 to $12,000 depending on stations and output. Pricing is given on the first call..
Tack Media puts a shooter, an editor and a community manager inside your booth at the Anaheim Convention Center for the whole run of the show. We film, cut, caption, post and reply live from the floor. Three-day activations run $4,500 to $12,000 depending on stations and output. Pricing is given on the first call.
This is for you if:
This is not for you if:
| Deliverable | What it is | When you get it |
|---|---|---|
| Pre-show shot list | Every moment we capture, mapped to booth number, demo schedule and speaking slots | 10–14 days before move-in |
| Connectivity plan | Which venue internet order to place, what our bonded cellular uplink covers, where drops sit | Before the venue order deadline |
| Same-day vertical cutdowns | Reels, Shorts and TikToks cut and captioned on site | Same show day |
| Live community management | Replies, DMs, comment triage and story posting, by a named person on your account | Every hour the floor is open |
| Nightly report | Reach, saves, shares, profile visits, link clicks, DM volume — next day’s shot list adjusted against it | Each night of the show |
| Full library and recap film | Every usable frame, colour-corrected stills, the long-form edit | Within 48 hours of load-out |
On-site activations start at $4,500 for a three-day show and run to $12,000 depending on stations covered and finished output per day. Ongoing retained engagements start at $5,000 a month.
What moves the number: show days, whether a second shooter is needed for a stage plus a booth, live streaming as well as posting, how many channels, and how fast you want the recap film. Venue costs sit on top and go to the venue. Pricing is given on the first call.
Anaheim Convention Center is 1.8 million square feet, the largest on the West Coast. Halls A to E run 145,841, 147,335, 155,673, 221,284 and 143,474 square feet, ACC North adds 200,000 across two levels, and there are 99 meeting rooms and 238,000 square feet of ballroom (ACC Spec Guide). A building that size has building-sized service costs.
Internet. Smart City Networks is the exclusive provider at ACC (Smart City Networks). Published dedicated bandwidth runs $3,495 for 3 Mbps up to $15,500 for 20 Mbps, and those figures exclude a wireless access point (WiFiT). Complimentary attendee WiFi exists. It is not built to carry a crew pushing 4K files upstream all day.
Freight. Drayage runs $110 to $175 per hundredweight, roughly $120–$155/cwt through the advance warehouse and $140–$170/cwt direct to show. The advance warehouse opens 21–30 days out, early-bird deadlines fall 4–6 weeks before the show, and floor-ordered services carry a 40–60% premium (Pure Exhibits).
Staging. The Claudina Marshaling Yard — six acres of asphalt at Anaheim Blvd and Claudina Way, off the I-5, within two miles of the building — handles freight receipt, move-in and move-out staging and during-event storage (Visit Anaheim). Trucks that turn up cold at the dock wait. Full figures sit on our WiFi and drayage cost page.
Southern California trade show labour has hard edges. An exhibitor may self-install or dismantle only when one full-time employee can do the work in an hour or less without tools. Hand-carry is what one person carries in one trip — dollies, flat trucks and other mechanical equipment are not permitted for exhibitor use. Genie lifts are allowed in Los Angeles, Ontario, Long Beach and Anaheim, banned in San Diego (Union Guidelines by City). Straight time is Monday to Friday 08:00–16:30, overtime outside those hours and all day Saturday, double time Sunday and holidays (EACA Union Work Rules).
Now the part that catches content teams out. At the Los Angeles Convention Center, IATSE Local 33 holds jurisdiction over audio-visual work, camera operators, theatrical lighting, rigging, stage and scenic assembly for general sessions, lighting console programming, spotlight and laser operation (AVR Expos union rules — Los Angeles). Camera operation is named explicitly. Anaheim is a different building with different agreements, and jurisdiction is set show by show through the general services contractor. We do not claim Anaheim is a free-for-all. Before we quote, we confirm in writing with the GSC what our crew may operate and where. If that means union camera labour works alongside us, it goes in your budget openly rather than surfacing on the floor — the same discipline we apply to LA convention social media team work, where Local 33 jurisdiction is explicit.
All four need your own pre-show baseline, which we pull in the first 30 days. Retargeting the people who saw the content runs through our paid media and CRO team.
Ordering internet on the floor. Floor-ordered services at Anaheim carry a 40–60% premium, and the early-bird window closes 4–6 weeks out (Pure Exhibits). Forget, and you pay twice for the same connection.
Assuming the free WiFi carries a live team. Upstream is the problem, not download. A single 1080p60 live stream needs around 12 Mbps of encoded bitrate on H.264 (YouTube Live encoder settings) — one stream, before anyone uploads a 4K file.
Booking the crew after the booth is designed. Camera positions, lighting and somewhere to sit and edit are booth-design decisions. Retrofit them and you lose floor space you already paid drayage on.
Treating the show as a content event instead of a demand event. If nobody has agreed who follows up and how fast, the reach number is decoration.
Same day. The first cutdowns publish within hours of doors opening. Follower growth, retargeting pools and DM conversations resolve over the following four to six weeks.
Nightly numbers, not a post-show report. If the format is not landing by end of day one we change it for day two. That is the advantage of being in the building.
Yes. You own your social accounts and every frame we shoot. The full library ships to you within 48 hours of load-out.
Show-by-show for activations. No annual lock-in to hire a crew for NAMM or Expo West. Retained engagements start at $5,000 a month, month to month after the initial term.
Our own crew, out of our Northridge studios. Named people — shooter, editor, community manager — and you meet them before the show. We do not sub-contract the floor team.
Anaheim is where the exhibitor money sits, and a booth at NAMM or Expo West is too expensive to leave undocumented. A live floor team turns three show days into a quarter of content and a measurable pipeline — provided connectivity, freight and labour are answered before you arrive.
Book a 20-minute fit call at calendly.com/tack-media-agency/talk-to-an-expert or call 310-620-1141. See the division at convention and trade show activations, the build side on our Anaheim booth activation page, and content production between shows. Unsure you need an agency? Use find my agency.
Twenty minutes, no deck. Tell us what you're trying to hit and we'll tell you straight whether we're the right team for it.